Welcome to Legends week. (That’s Legends, the expansion as opposed to legends, the creature type.) We’ve had theme weeks before but this week is not your average theme week. We’ve pulled out all the stops to explore the many facets of Magic’s first large expansion. We have Steve Conard, one of the set’s designers, to talk about how Legends was created. We have a spoiler to let you peruse all the cards. And we have some pretty cool Arcana and behind the scene goodies.
Since Steve is talking about how Magic design affected Legends (click here if you’d like to see the article), I thought I would talk about how Legends affected Magic design. You see, when Legends first came out I was just another Magic player. Sure I wrote a puzzle column for the Duelist but in every other way, I was just a random player.
I remember the day Legends came out; it was the summer of ’94. A friend and I camped outside a game store in Westwood, California. Back in those days sets sold out within a day, so you had to know when they were coming in. Rumors about the new three hundred and ten card set (over three times larger than any previous Magic expansion) had been flying. I was pumped.
I bought three boxes. (Remember that I started playing in Alpha so I was pretty entrenched by Legends.) I rushed home, opened all my packs and then rushed back to the store to buy another box. Then after ripping open my fourth box, I returned yet again to buy a fifth box that I put away as an investment. (Interestingly, I eventually traded it for ten boxes of Revised that I later sold to buy a pretty snazzy television set.)
The reason I bring this story up is that Legends had a profound effect on me as a player. Years later, it would have profound influence on me as a designer. In this column I want to take a look through Legends to point out cards from the set that inspired me to make other Magic cards. Just like a scientist, a designer builds his work on the back of others. My hope is to give you all an idea how much influence Legends has had on me and thus see how much it has influenced the game of Magic.
Design of the Times
Not sure how to order this list, I ended up deciding to put it alphabetically by title. Here is a sampling of the Legends cards that influenced my design:
[A quick note before I begin: Designing cards is a collaborative process. Many of the cards listed below were created in conjunction with other designers.]
Anti-Magic Aura/Spectral Cloak
I have always been a fan of the “cloaks” as we call them in R&D. I liked the idea of the blue mage telling other wizards to stay away from a certain creature. This card inspired me to design numerous other “cloaks”. Among them: Mystic Veil (Visions), Robe of Mirrors (Exodus), Diplomatic Immunity (Mercadian Masques), and Aboshan's Desire (Odyssey).
I always found this card to be very annoying as it promotes players sitting around doing nothing. During the design of Urza’s Destiny, I thought it would be cool to make an enchantment that was the opposite of Arboria, it punishes players for not doing anything. The card ended up being Impatience.
During Torment development, Major Teroh had a rather weak special ability. (“, Sacrifice CARDNAME: Remove target black permanent from the game.”) I felt the card needed a better special ability so I started thinking about flavorful white hose blacks effects. Inspired by Cleanse, I suggested his new ability.
During the fall that followed Legends, Magic constructed was all about creatureless decks due, in a large part, to The Abyss. One day, while talking with some friends the topic came up that every two color combination was playable except for blue/green. So, of course, the next weekend I show up with a blue/green weenie deck. I played this deck off-and-on for over a year, and emotionally it has a special spot in my heart. For a short period of time, I played Cocoon as a cheap means to tap an opponent’s creature. (This is before the card was errataed to be playable only on your creatures.) Before I got to Wizards I used to make up cards for fun. One idea I came up with was spawned by tweaking Cocoon. Rather than a card that makes you wait and improved you, what if there were a card that evolved you while the creature stayed in play but destroyed it at the end of the three turns. This card ended up being one of the first cards I designed to see print, as Consuming Ferocity in Mirage. As you can see, not every new variation is a home run (or even a single).
Unlike Cocoon, Concordant Crossroads worked perfectly in my blue/green weenie deck (Llanowar Elves and Birds of Paradise were essentially free). It even had the nice side effect of being an Enchant World that could destroy The Abyss. I'm such a fan of the card that I continually try to get global haste effects into the game. Both Fervor and Fires of Yavimaya owe their existences directly to Concordant Crossroads.
Dakkon Blackblade/Hazezon Tamar
I was known as a wacky deck builder. I loved creating decks that defeated my opponents in ways they had never been defeated before. As such, I went through a phase where I played around with decks that interacted with land. One deck involved both Dakkon Blackblade and Hazezon Tamar. Invasion’s Molimo, Maro-Sorcerer is an homage to these cards.
This card was the direct inspiration for Celestial Convergence in Prophecy. The one tweak was to have the game end when the counters finally ran out.
As a designer, I’m known for my love of tricks. This tricky little card is one of my favorites. I’m responsible for it being repeated in Urza’s Saga and created its sneaky cousin in Odyssey, Aura Graft.
Tempted by the “dark side”, I got lured into this spell's “cards for free” flavor. This card (along with the Force of Will) is directly responsible for Stronghold’s Dream Halls. (A card I always feel compelled to point out was named “the worst card in Stronghold” by InQuest magazine; a year later it was banned.)
Field of Dreams
The card Think Tank in Odyssey was created as a tweak of this card. Originally, the new enchantment made all opponents also play with the top cards of their libraries face up.
While trying to come up for an ability for Squee (Mercadian Masques) I thought back to this card. I always enjoyed the fact that this card just never died. Squee seemed the perfect character for this ability, so I tweaked the ability and made Squee, Goblin Nabob.
Gauntlets of Chaos/Juxtapose
As I mentioned in the introduction article to MagicTheGathering.com, these two cards were directly responsible for me creating Donate (Urza’s Destiny).
Glyph of Destruction
While working on development for Weatherlight, I found myself fighting to make Goblin Bomb deal 20 damage instead of simply “winning the game.” The effects were very similar, I argued. But Magic needs more large numbers in the rules text. "Remember Glyph of Destruction," I said, "It had '+10'. Magic needs more double-digit numbers on cards." My argument convinced the team and the card was made to deal 20 damage. That is probably the only time (outside of trivia events) where I mentioned the name of that card.
Heaven’s Gate/Alchor’s Tomb/Dream Coat
Another wacky deck-building phase I went through was decks that revolved around color. One of my favorites was a deck revolving around a Martyr's Cry/Heaven's Gate/Millstone combo. (I never said my decks were good, just interesting.) This fondness for color changing spells and permanents (something shared by fellow design Mike Elliott) is directly responsible for the entire color shifting theme that runs rampant throughout the Invasion block (Crystal Spray, Shifting Sky, etc.)
This card was central to a deck I played in numerous Melee games (this is a multi-player variant where you sit in a circle and can only attack left.) in my pre-Wizards days. My love of this card led me to create a number of cards that swapped a creature in play for one in the graveyard: Recurring Nightmare (Exodus), Victimize (Urza’s Saga), Apprentice Necromancer (Urza’s Destiny), and Body Snatcher (Urza’s Destiny). It also pushed me to create cards that used other means to return creatures from the graveyard to play: Shallow Grave (Mirage), Corpse Dance (Tempest), and Zombify (Odyssey).
Hyperion Blacksmith/Relic Barrier
Another of my concoctions was an artifact deck that I constantly evolved as new sets came out. These two cards from that deck were my inspiration for Voltaic Key (Urza’s Saga).
In the Eyes of Chaos
This card was my inspiration for the card Ice Cave from Apocalypse. I figured if an enchantment could counter a spell unless the opponent paid mana, why not let it counter a spell if the enchantment’s controller paid mana? Making the mana amount perfectly match the mana cost just seemed elegant.
While I’m explaining to you how certain cards affected others, I felt a need to point out an example where a card did not inspire another card. Many people think Root Maze (Tempest) was inspired by Kismet. In reality, Root Maze originally gave all permanents summoning sickness. During templating, it was decided that putting all artifacts and lands into play tapped captured 99% of the intent of the card with a much shorter and more elegant template.Knowledge Vault
I always liked the mechanic of a card that put cards underneath it. While thinking about the neat things one could do with this, I came up with the idea of a card that could store cards for you. During Alliances development, we had to change an artifact late in the process (playtesting had shown the first version was broken beyond repair) and I suggested this card. Thus, Gustha's Scepter was created.
Sometimes designers just take a cool card from the past and update it. Seismic Assault (Exodus) was one such card.
Nature's Revolt (Tempest) is another such update.
Teferi's Moat (Invasion) is yet another update. Not that we bothered to hide this fact.
When I first saw Legends, my eye was drawn to this creature. He had a novel, cool effect. Inspired by this card, years later I designed a spell called “Go Fish.” I put into numerous designs until it was finally accepted in Judgment as the card… wait a minute. Judgment isn’t out yet. Ignore this paragraph. You didn’t read it.
Originally, the dragon legends in Invasion (designed by Mike Elliott) had activated tap abilities. The development team played with them for a while and felt that they were missing something. During one meeting, I suggested we look to the elder dragon legends for inspiration. Nicol Bolas, I argued, was the coolest elder dragon legend. Why? Because he rewarded you for doing something you wanted to do anyway: attacking. What fun are dragons if they don’t encourage you to attack? The team agreed and we put attacking activated abilities on Rith, the Awakener and friends.
I always enjoyed the guessing game this card creates. During Urza’s Destiny, I thought it might be fun to make a card that had a similar feel. Thus was created Scrying Glass.
I thought it was cool that you could return Puppet Master to your hand if the enchanted creature returned to its owner’s hand. During Urza’s Destiny, I played around with a card, that could both return itself and the enchanted creature to its owner’s hands. Thus, I created Disappear.
This card has led to numerous variants. I’m personally responsible for Rolling Thunder in Tempest (okay, okay, I shouldn’t have made it common).
This card inspired a series of cards in Urza’s Destiny. I always thought the Wombat was a fun card, so during Destiny design I made a number of creatures that got different effects when enchanted (Fledgling Osprey; Metathran Elite; Rayne, Academy Chancellor; and Thran Golem).
My love for this mechanic goes back to Arabian Nights. At the time I played Old Man of the Sea in numerous decks. So when Rubinia came out, I was excited to give this new version a try. Those two cards led me to make Coffin Queen (Tempest).
Often times in Magic’s past, there was a cool card that was created in the wrong color. These cards provide a perfect ability for designers to reintroduce the card in the proper color. This card was redone in the proper color, red, in Tempest as the card Sudden Impact.
Sword of the Ages
I enjoyed the endgame flavor of this card. Many a game with my artifact deck ended with me sacrificing all my creatures to the sword for the final kill. This inspired me during Tempest design to create the card Goblin Bombardment. I balanced the ongoing ability of the enchantment by having each sacrificed creature deal much less damage.
This card had such a profound effect that it led R&D, for a while at least, to make draw utility (cards that improved your draw) a green ability: Rowen (Visions), Mirri's Guile (Tempest), and Abundance (Urza’s Saga).
This card was the inspiration for Temporal Adept in Urza’s Destiny.
When mining past sets for ideas, designers love to find weak cards that had a cool effect. This card has been revisited (although these days in blue and red) by numerous designers. My contributions: Dwarven Thaumaturgist (Weatherlight) and About Face (Urza’s Legacy).
In Mirage development we were looking to fill a hole for a blue/green multi-colored card. We had talked about wanting to find a way to create a more balanced Underworld Dreams. The team hit upon the idea of an enchantment that allowed a player to keep drawing more cards but at the cost of taking damage for each card drawn. This card ended up being Malignant Growth.
I used this card in the sideboard of my blue/green weenie deck as a way to remove creatures. (With the speed of my deck, tapping a creature for a turn or two was the same as killing it.) Years later, this card inspired me to create another blue creature enchantment that locked down creatures, Sleeping Potion from Planeshift. It’s interesting to note that Sleeping Potion was the merging of two old cards, Venarian Gold and Skulking Ghost.
R&D has joked for years about how bad a card this is. During Weatherlight development, we thought it might be cool to make a good Wood Elemental. The card, Fungus Elemental, while obviously better than its Legends cousin saw just about as much constructed play.
I hope this has given you all a little insight into how old cards can inspire new ones. Join me next week when I take a look at R&D’s three favorite Magic players: Timmy, Johnny, and Spike.
Until then, may they not have the counterspell when you call their bluff.
Mark may be reached at email@example.com.